Kelly Cheng posted a photo:
The light and sound show of The Registan. This ensemble of majestic, tilting medressas is the centrepiece of the city and one of the most awesome single sights in Central Asia. Registan, which means 'sandy place' in Tajik, was the medieval Samarkand's commercial centre and the plaza was probably a wall to wall bazaar.
From west to east, or left to right: Ulugbek Medressa (15th century), Tilla-Kari Medressa and Sher Dor Medressa (17th century).
The Ulugbek Medressa was built by Ulugbek’s order and guidance. It lasted only three years from 1417 to 1420. Ulugbek gave lectures on mathematics and astronomy here till his death.
Two hundred years later, the ruler of Samarkand, Yalangtush Bahadur, ordered to build a second medressa was built opposite it - Sher Dor Medressa. The only difference was that it had two more winter teaching halls, but the main structure was the same as in Ulugbek Medressa. Several years later, the same ruler of Samarkand ordered the third Tilla-Kari Medressa.
Kelly Cheng posted a photo:
The unfinished Kalta Minor (short tower) Minaret was once designed to be the highest minaret of the Muslim East. Legend has it that Mohammed Amin Khan wanted to build a minaret so high that he could see all the way to Bukhara (387 km away). Had it been completed, it would have been the world's tallest building but the Khan dropped dead in 1855 and it was never finished
In addition to the grandiosity of the plan, the unusual decor is impressive as well. The ornamental cylindrical belts completely cover the shaft of the minaret. The wonderful skills of the Khorezm architects who created these decorative belts of green, turquoise, blue and white plates excelled here. It was hoped that Kalta-minar would surpass all other monumental structures in its magnificence, but history had it on its own way. Yet even this unfinished part of the minaret enraptures with its audacity of plan and variety of patterns.
Kelly Cheng posted a photo:
The unfinished Kalta Minor (short tower) Minaret was once designed to be the highest minaret of the Muslim East. Legend has it that Mohammed Amin Khan wanted to build a minaret so high that he could see all the way to Bukhara (387 km away). Had it been completed, it would have been the world's tallest building but the Khan dropped dead in 1855 and it was never finished
In addition to the grandiosity of the plan, the unusual decor is impressive as well. The ornamental cylindrical belts completely cover the shaft of the minaret. The wonderful skills of the Khorezm architects who created these decorative belts of green, turquoise, blue and white plates excelled here. It was hoped that Kalta-minar would surpass all other monumental structures in its magnificence, but history had it on its own way. Yet even this unfinished part of the minaret enraptures with its audacity of plan and variety of patterns.
Kelly Cheng posted a photo:
The unfinished Kalta Minor (short tower) Minaret was once designed to be the highest minaret of the Muslim East. Legend has it that Mohammed Amin Khan wanted to build a minaret so high that he could see all the way to Bukhara (387 km away). Had it been completed, it would have been the world's tallest building but the Khan dropped dead in 1855 and it was never finished
In addition to the grandiosity of the plan, the unusual decor is impressive as well. The ornamental cylindrical belts completely cover the shaft of the minaret. The wonderful skills of the Khorezm architects who created these decorative belts of green, turquoise, blue and white plates excelled here. It was hoped that Kalta-minar would surpass all other monumental structures in its magnificence, but history had it on its own way. Yet even this unfinished part of the minaret enraptures with its audacity of plan and variety of patterns.
Kelly Cheng posted a photo:
Khiva's name, redolent of slave caravans, barbaric cruelty and terrible journeys across deserts and steppes infested with wild tribesmen, struck fear into all bu thebouldest 19th-century hearts.
The historic heart of Khiva, Ichon-Qala, is preserved in its entirety as a result of Soviet conservation programme in 1970s and '80s.
Ichon-Qala displays simplicity and monumentality of medieval architectural forms, the delicateness of woodcarvings and skilled interweaving of ornamentation. The silhouettes of its towering minarets, hemmed in by clay built houses with their flat roofs and surrounded by the fortress's powerful clay built walls, give a clear idea of a typical Central Asian feudal city.
Kelly Cheng posted a photo:
The unfinished Kalta Minor (short tower) Minaret was once designed to be the highest minaret of the Muslim East. Legend has it that Mohammed Amin Khan wanted to build a minaret so high that he could see all the way to Bukhara (387 km away). Had it been completed, it would have been the world's tallest building but the Khan dropped dead in 1855 and it was never finished
In addition to the grandiosity of the plan, the unusual decor is impressive as well. The ornamental cylindrical belts completely cover the shaft of the minaret. The wonderful skills of the Khorezm architects who created these decorative belts of green, turquoise, blue and white plates excelled here. It was hoped that Kalta-minar would surpass all other monumental structures in its magnificence, but history had it on its own way. Yet even this unfinished part of the minaret enraptures with its audacity of plan and variety of patterns.
Kelly Cheng posted a photo:
Khiva's name, redolent of slave caravans, barbaric cruelty and terrible journeys across deserts and steppes infested with wild tribesmen, struck fear into all bu thebouldest 19th-century hearts.
The historic heart of Khiva, Ichon-Qala, is preserved in its entirety as a result of Soviet conservation programme in 1970s and '80s.
Ichon-Qala displays simplicity and monumentality of medieval architectural forms, the delicateness of woodcarvings and skilled interweaving of ornamentation. The silhouettes of its towering minarets, hemmed in by clay built houses with their flat roofs and surrounded by the fortress's powerful clay built walls, give a clear idea of a typical Central Asian feudal city.
Kelly Cheng posted a photo:
The light and sound show of The Registan. This ensemble of majestic, tilting medressas is the centrepiece of the city and one of the most awesome single sights in Central Asia. Registan, which means 'sandy place' in Tajik, was the medieval Samarkand's commercial centre and the plaza was probably a wall to wall bazaar.
From west to east, or left to right: Ulugbek Medressa (15th century), Tilla-Kari Medressa and Sher Dor Medressa (17th century).
The Ulugbek Medressa was built by Ulugbek’s order and guidance. It lasted only three years from 1417 to 1420. Ulugbek gave lectures on mathematics and astronomy here till his death.
Two hundred years later, the ruler of Samarkand, Yalangtush Bahadur, ordered to build a second medressa was built opposite it - Sher Dor Medressa. The only difference was that it had two more winter teaching halls, but the main structure was the same as in Ulugbek Medressa. Several years later, the same ruler of Samarkand ordered the third Tilla-Kari Medressa.
Kelly Cheng posted a photo:
The unfinished Kalta Minor (short tower) Minaret was once designed to be the highest minaret of the Muslim East. Legend has it that Mohammed Amin Khan wanted to build a minaret so high that he could see all the way to Bukhara (387 km away). Had it been completed, it would have been the world's tallest building but the Khan dropped dead in 1855 and it was never finished
In addition to the grandiosity of the plan, the unusual decor is impressive as well. The ornamental cylindrical belts completely cover the shaft of the minaret. The wonderful skills of the Khorezm architects who created these decorative belts of green, turquoise, blue and white plates excelled here. It was hoped that Kalta-minar would surpass all other monumental structures in its magnificence, but history had it on its own way. Yet even this unfinished part of the minaret enraptures with its audacity of plan and variety of patterns.
Kelly Cheng posted a photo:
Khiva's name, redolent of slave caravans, barbaric cruelty and terrible journeys across deserts and steppes infested with wild tribesmen, struck fear into all bu thebouldest 19th-century hearts.
The historic heart of Khiva, Ichon-Qala, is preserved in its entirety as a result of Soviet conservation programme in 1970s and '80s.
Ichon-Qala displays simplicity and monumentality of medieval architectural forms, the delicateness of woodcarvings and skilled interweaving of ornamentation. The silhouettes of its towering minarets, hemmed in by clay built houses with their flat roofs and surrounded by the fortress's powerful clay built walls, give a clear idea of a typical Central Asian feudal city.
Kelly Cheng posted a photo:
The Minaret of Islam Khodja is the highest structure in Khiva. The minaret is 44m. high and the diameter on the foundation is about 10m. The shaft of the minaret diminishes in its diameter as it rises. Decorative belts of blue and white ceramics alternating with ochre bricks adorn the minaret. It is topped by arched lantern and golden crown.
Kelly Cheng posted a photo:
At a woodcarver workshop and we were fascinated with the seven positions of hand-carved wooden Koran stand.
Kelly Cheng posted a photo:
At a woodcarver workshop and we were fascinated with the seven positions of hand-carved wooden Koran stand.
Kelly Cheng posted a photo:
Khiva's name, redolent of slave caravans, barbaric cruelty and terrible journeys across deserts and steppes infested with wild tribesmen, struck fear into all bu thebouldest 19th-century hearts.
The historic heart of Khiva, Ichon-Qala, is preserved in its entirety as a result of Soviet conservation programme in 1970s and '80s.
Ichon-Qala displays simplicity and monumentality of medieval architectural forms, the delicateness of woodcarvings and skilled interweaving of ornamentation. The silhouettes of its towering minarets, hemmed in by clay built houses with their flat roofs and surrounded by the fortress's powerful clay built walls, give a clear idea of a typical Central Asian feudal city.
Kelly Cheng posted a photo:
At a woodcarver workshop and we were fascinated with the seven positions of hand-carved wooden Koran stand.
granludo posted a photo:
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